When asking French people “Which day of the year is the most important day
to your culture?”, most of them may reply “The National Day (14 July)” or “Christmas
day”. For the Lyonnais, “La fête des lumières” is equally important to those
two festive days.
I’ve heard about this festival for many years but have never
experienced it. This year is the 30th anniversary of the city lighting
plan, and since I moved to the area, I made a promised to myself that I
wouldn’t miss it again.
As claimed by many Lyonnais, the Festival of Lights which is
held annually from the 5
th – 8
th December
was originally created in 1643 when people lit
the candles to thank Virgin Mary for saving Lyon from the plague attack.
However, according to many researches I made, the origin of this festival is
way more complicated than that. So if you are interested to know more, please
feel free to learn it yourself
here. 😛
(Caution: French content)
Let’s get back to the lighting shows. As far as I’ve heard,
there were tons of people visited the festival each year. So the only suggestion
that I got from the experts was “Avoid Friday and Saturday nights”. So I
decided to join the festival on Thursday, the 5th and Friday, the 8th
December that is considered as the most important day for the Lyonnais, the day
they put the lit candles in the windows.
This year, there were 36 installation works in the distance
of 10 kilometers or so (some of them were at the airport though!). I was totally
aware that I wouldn’t have enough time to see all of these works within two
nights. Anyway, I would try to manage my time the best I could. And thanks to
my boyfriend’s mom,
Sylvie Colon who was a part of an installation team, I had a chance to “pre-visit”
the installation that she has worked on (so I could see other works on the set
dates – Hehe!) This work is called “Lucioles” with a concept of fireflies. There
were hundreds of small colourful lights nesting together, some of them were
hanging from the trees, and some were clinging on the quay on the side of Rhône
River
[video].
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"Luciole"s on the quay of Rhône |
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'"Lucioles" nests on the trees |
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"Lucioles" under the bridge |
Another piece of work that I already took a peek before the premier
night is named “Lianes”. It was represented as a group of lianas climbing on
the buildings, electric poles and trees in the old town area. These two
installations are the fruits of
Erik Barray, a
pre-eminent
willow artist of Lyon city.
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"Lianes" clinging on the uphill wall |
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"Lianes" on the way to Fourvière |
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"Lianes" side by side with the moon |
On the first night of the festival, after a quick dinner and
a brief plan, my friend and I took the subway to Place Bellecour
Station.
Once we reached to the street level, I was astonished by a gigantic work
spreading around the
plaza where the statue of
Louis XIV is, on his horse. A group of huge illuminated look-alike balloons in
forms of fish were floating in the air over Place Bellecour square. Represented
in the name of “Prairie éphémère”, underneath those fish, fluorescent prairie
changed its colour from time to time (along the music, I guess)
[video]. I was totally astonished by this work and would rate 10/10 with no
hesitation. Then I wanted to rate 20/10 once I saw what happened behind the
production line. The flying fish were controlled and manipulated to dance in
the air by the installation crew. It was quite cold on that day (2-4
°C, as far as I remember). So
I utterly admire the puppeteers who were staying there, under the cold for the
whole night, during 4 hours.
|
“Prairie éphémère” at Place Bellecour |
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All the fish are flying over the square. |
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The fluorescent prairie seems to be even real when it turns into green. |
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The puppeteer is controling the flying fish along with the music. |
At the same square, there was a moderate-size installation
with tubes of white neon light surrounding around a sign made of vinyl (I guess) written
the word “Welcome” in different languages: Bienvenue, Benvenuto, Willkommen,
etc. I believed that it’s a sign made by
the city hall in order to greet the tourists. But when I looked up in the
festival map that my friend and I grabbed from a coffee shop, we looked at each
other sadly. I terribly feel sorry for the city who gave the budget for
creating this…ummm… neon sign and called it an installation work, under the
name “Tower”. We noticed that there were three of…ummm…them. (The other two
were at Place des Cordeliers and Place Louis Pradel.)
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The installation "Tower" at Place Bellecour |
It was such an overwhelming feeling for me to see the most
magnificent and the most “humble” works, one right after another. We continued
our adventure, heading to the Saône River where exist groups of small houses
and buildings on the hill as a background. We had to stop our walk once we saw
a huge human wave that covered the entire bridge. On the other side of the
river bank, a
projection mapping
“
Les Cueilleurs de Nuages” (or so-called
Clouds Keepers) was being animated over the whole facade of Fourvière
Hill. After had failed from squeezing myself into the crowd to see the show
closer and better, a shorty like me had to climb up on a bench to have a better
but further view.
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“Les Cueilleurs de Nuages” from far distance |
Despite having seen it twice, I couldn’t understand well the
story. I then gave up, climbed down from the bench and headed toward Vieux Lyon
or the old town area. In front of
Temple du Change which once was a marketplace
in the old day, dazzling lightings were blinking and changing their colours
almost every 10 seconds. To our eyes, it looked like the lights were insanely
spinning on the facade. It was giddily fun to look at this “Flower Power
” show with a wind blowing sound as a
background noise. Too bad that the restaurant behind us played the music
so loud that we could hear the wind sound only during the moment they changed
the music [video]. Anyway,
in my opinion, this work was better called Windmill Power than Flower Power
though. 😆
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“Flower Power” in font of Temple du Change |
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Colourful light wheels are spinning with a wind blowing sound effect |
Still keeping our track in the old town area, in front of
Gadagne museum, a
long line of people was waiting to get into the
building. Checking on the map with my friend, it seemed like the installation
called “Nocturne” was performed inside here. Truly knew that if we had waited
in the line, we wouldn’t have had enough time for other shows, so my friend and
I continued our march until we arrived at
Saint-Jean-Baptise Cathedral where my friend
claimed that its last-year show was splendid.
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Tight crowd in front of Saint-Jean-Baptise Cathedral |
In front of the crowd, the projection mapping “Genesis” was
playing on the surface of the cathedral. When we arrived there, the show was
almost over, so we waited for an encore of the mapping. In the second round, we
saw the story from end to end. The origin of all living things was displaying colourfully
and gracefully with the background music on the surface of the building. I
would rate this work 6/10 for its esthetic aspect. For those who have never
seen or didn’t see much projection mapping works, they might be
admired this show. As a person who has seen many pieces of mapping work, I was
quite upset with this work. Why? Because the creator team didn’t create many
images that fit solely the surface of the Saint-Jean Cathedral which is
supposed to be a unique characteristic of the projection mapping.
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“Genesis” Mapping on the facade of Saint-Jean-Baptise Cathedral |
It’s 11 pm. sharp. The first night of the festival has
ended. We waited until the crowd faded from the area to walk back home. Spending
3 hours on the street allowed us to see only 5 pieces of the installation (if
the “Tower” and the far-distance mapping were counted in this case). It was
cold and calm after many visitors have gone. Leaving behind was a group of
lights whose shapes were like hot air balloons, hanging over Rue de la
République Road. The blue colour from the lamps crated a big contrast with the
intense red from those street lights. Writing to this line, I’ve just learnt
that this was another installation work called “Les amours en cage” (Loves in
Cage) which was an interactive work. Too bad that I hadn’t known this before or
I would have tried activating it. So this was technically counted as the 6th
work I’ve seen that night – Whoopee! I threw myself in bed, pondering the time
management I had, telling myself that on the 8th I must visit other
beautiful installations as much as I could.
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“Les amours en cage” on Rue de la
République Road |
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